The Met - December visit

David Hockney

For nearly 60 years, David Hockney (British, born 1937) has pursued a singular career with a love for painting and its intrinsic challenges. This major retrospective—the exhibition's only North American venue—honors the artist in his 80th year by presenting his most iconic works and key moments of his career from 1960 to the present.

Working in a wide range of media with equal measures of wit and intelligence, Hockney has examined, probed, and questioned how to capture the perceived world of movement, space, and time in two dimensions. The exhibition offers a grand overview of the artist's achievements across all media, including painting, drawing, photography, and video. From his early experiments with modernist abstraction and mid-career experiments with illusion and realism, to his most recent, jewel-toned landscapes, Hockney has consistently explored the nature of perception and representation with both intellectual rigor and sheer delight in the act of looking.

The delightful exhibition highlighted that range of this amazing artist by going far beyond his California portraits and pool scene.  We were given a sense of his extraordinary creativity as hinted at by his iPad art.  

This video really shows his genius: https://youtu.be/cO5rCS6G3XU

The Met Breuer December 2017

Edvard Munch: Between the Clock and the Bed

Norwegian artist Edvard Munch (1863–1944) attained fame early in his career for his depictions of human anxiety. Throughout his career, Munch regularly revisited subjects from his earlier years, exploring them with renewed inspiration and intensity over time. Self-Portrait: Between the Clock and the Bed (1940–43) was one of his final such works and it serves as a lens to reassess Munch's oeuvre.

This exhibition features 43 of the artist's landmark compositions created over a span of six decades, including 16 self-portraits and works that have never before been seen in the United States. More than half of the works on view were part of Munch's personal collection and remained with him throughout his life.

Following a light lunch, Harriet and I explored the Edvard Munch exhibition which was dominated by self portraits.  We were delighted by some unexpected sketches.  

Read Here: https://hyperallergic.com/418681/edvard-munch-between-the-clock-and-the-bed-met-breuer-2017/?utm_source=email&utm_medium=social&utm_campaign=sw

Picasso | Encounters

Summer visit to Clark Museum
Stopped on the way to Vt

Flora/Fauna: The Naturalist Impulse in American Art

Florence Griswold Museum, Old Lyme
Visit with Linda Arnold

Inventing Utamaro: A Japanese Masterpiece Rediscovered

Wadsworth Atheneum Museum, Hartford, CT
Visited with Peggy Wilson

Winslow Homer: American Life 1857 - 1875

Visit to Mattuck Museum

Pan American Modernism: Avant-Garde Art in Latin America and the United States

Visit to The Gibbes Museum of Art, Charleston, SC
November 15, 2017

Toulouse-Lautrec: In the Limelight

Bruce Museum hosts Toulouse-Trec Portraits from the Herakleidon Museum
Visited November 21 with Judy Donald

MFA

Matisse in the Studio at the MFA

 

Norton Simon

Norton Simon - lovely, lovely

The Broad

LACMA - The Broad:  

a very special exhibition 

Pablo Picasso and Diego Rivera

Getty Villa

Getty Villa - History in Gardens and Theater

Getty Center

The Getty Center - View from the Hill

Crystal Bridges

Crystal Bridges - First Stop

 My friend Harriet who I enjoy visiting art museums with was planning her sabbatical when the invitation emerged that we travel to Arkansas to visit the Crystal Bridges Museum.  The trip was extended to included museums in LA, but at the very heart of the trip was Crystal Bridges.  It is such an amazing series of buildings my words cannot do it justice, so here are some pictures which hint at the wonder of the place.

                             

The grounds of the museum are as much a part of the experiences as the museum itself.  First afternoon we walked the trails through the woods.  Sculptures  and flowers were located along the paths.  

In the evening we returned to the grounds and we enjoyed the James Turrell: The Way of  Color.  As the sun sets there is an amazing show which seems to change the color of the sky from blue, to yellow to red through the entire spectrum.

After enjoying the light show provided at The Way of Color, we move on see what delights

 Leo Villareal Buckyball had to offer.

Leo Villareal created a sculpture using Led bulbs and computer software to create an ever-changing displays of moving light and color.  From our very comfortable wooden and very comfortable lounge chairs we enjoyed another wonderful light show. 

After a hardly breakfast at the Cracker Barrel, we returned to Crystal Bridges to see what treasures Alice had collected for us.  I'll admit that I was truly giddy as we got our passes - admission to the museum and grounds in free.  What a gift to art lovers!

Entering the first gallery gives you a sense of openness, clean lines and light.  Every pieces of art enjoys all the space it needs so the viewer can enjoy it without feeling the presence of other art of viewers.  Somehow I have never become one to take lots of pictures, I don't like to interrupt my pleasure by constantly pulling out my camera, but hopefully the few I took, will give you a sense of the wonderful gallery spaces.

Walters Art Museum - Baltimore

The Walters Art Museum is result of the art collecting of father and son William T. and Henry Walters.  The collection of over 22,000 works of art from around the world.

Mid February 2017 I decided I needed to escape Connecticut and flee to my Baltimore friends, Wilda and Ed Newman.  We started as one always starts a trip to Baltimore - crabs at Timbuktu.

     It is comforting to return to places of your youth with good friends.  The only thing that has changed at Timbuktu is the fact in the past we were able to eat both crab cakes on the platter in one seating with several beers - this trip it was one beer with one crab cake.  The second crab cake was taken home and enjoyed with a glass of wine.

     Wilda and I decided that rather than traveling to DC to visit a museum, we would go to Baltimore. Given our time restraint and also the fact that the museum is undergoing some renovation, we decided to concentrate of the top floor where the history of the museum was outlined.

Both of the Walters were very successful business who developed and interest in art collection. In 1931, Henry donated the core collection of the museum to the City of Baltimore.  The Museum itself is located in the historic Mt. Vernon Cultural Diction of Baltimore.

William Thompson Walters

Henry Walters

     "William Thompson Walters (1819-94), a native of the village of Liverpool in central Pennsylvania, was drawn to Baltimore in 1841. Initially Walters became a grain merchant, but by 1852 he had established a wholesale liquor house that was to become one of the largest firms of its kind anywhere. Six years later, Walters moved to a house on Mount Vernon Place."

     "At about this time, William began to collect art seriously".

     "In 1889 Henry Walters moved to Wilmington, North Carolina, to serve as general manager of his father's railroad. Following William's death in 1894, he was elected president of the Atlantic Coast Line Company and transferred the line's headquarters to New York."  Henry "lived with Pembroke and Sarah Jones, a couple he had met in Wilmington".  He married Sarah three years after Pembroke died.

The original gallery which is reassembled in the museum

     "As early as 1874 William Walters opened the Mount Vernon Place residence to the public. Every spring, with few exceptions, he continued this civic-minded practice, charging a fee of 50 cents, with the proceeds contributed to charity. Within a decade, when the collection had outgrown the house, he acquired an adjacent property and added a picture gallery."

    "When William Walters died in 1894, he bequeathed his collection to his son, Henry Walters, who would follow in his father's footsteps.  Henry Walters continued to augment his holdings, buying both in New York and abroad."

   "Henry soon had the site of three buildings he had purchased in 1900 transformed in to a palazzo like building, which opened to the public in 1909. He died in 1931, bequeathing the building and its contents to the mayor and city council of Baltimore "for the benefit of the public."

Our visit to the Walters Museum was very brief but I had the sense that it was a well-run progressive museum.  The ability to watch and converse with a conservator is just a hint of the innovations.

For that reason I can't wait for the opportunity to visit and explore more of the four floors.