Thursday, December 13, 2018

Berthe Morisot and the Barnes Foundation Collection


       

Berthe Morisot: 
Woman Impressionist




     When I saw that there was to be a major exhibition of Berthe Morisot, Harriet and I began to consider if it was possible to get to Philadelphia.  Our first visit was to see the major water color exhibition and we had high hopes that the Morisot would be just as exciting .


Sunday, August 12, 2018

Clark Art Institute - Summer 2018



Women Artists in Paris 1850 - 1900



I always look forward to the Clark's summer exhibition and this year I was particularly interested in seeing the sample of Women artists who painted in Paris during the period 1850 - 1900.  Too often I visit museums and rarely see art created by women.  I always finds this frustrating. This exhibition displayed the art of some thirty-three women artists.  These women come from America, Scandinavia, Germany, Switzerland, French and Russia.  Art history documents that women were not allowed to attend most of the prestigious public art school in Paris and were denied many of the professional opportunities available for men.  A situation that seems to still exists to some degree.

However, these talented women did not give up, they found ways to learn and practice their art.  As this exhibition clearly documents, women did paint and painted well in face of societal resistance.  It simply made me proud to walk into the special galleries of the Clark Museum to spend time with these women and their art.

Marie Bashkirtseff - In the Studio, 1881

The exhibit was divided into several categories which also made by realize the tracts that these women were directed. The theme include: The Art of Painting, Lives of Women, La Toilette, Picturing Childhood, Jeunes Filles.  Within each categories, there were a variety of styles.  To me the categories are somewhat arbitrary, so I decided to just share some of my favorite painting.  This is more difficult than it sounds because there are so many great pictures to select from.


Anna Elizabeth lumps, Rosa Bonheur, 1898
Edma Pontillon, Portrait of Berthe Morisot, 1865
Amelie Beauty-Saurel, Dan Le Bleu, 1894

Harriet Backer, Evening, Interior, 1890
Cecilia Beaux, Ernesta,1894

Elizabeth Nourse, A Mother, 1888
Cecilia Beaux, Last Days of Childhood



Eva Gonzales, Beach of Dieppe, 1871-72
Fanny Churberg, Waterfall, 1877
Anna Bilinska, Unter Den Linden in Berlin, 1890
Virginie Demon-Breto, The Tomented
Ellen Thesleff, Echo, 1891

Emma Lowstadt-Chadwick, Beach Parasol, Brittany, 1880








Saturday, August 4, 2018

Sunday, July 15, 2018

The Norman Rockwell Museum

Keepers of the Flame:  Parrish, Wyeth, Rockwell and the Narrative Tradition





On a a beautiful July day, June and I headed off the the Berkshires to see the latest exhibition at the Norman Rockwell museum.  It was an easy drive and with arrive without difficulty.  While the parking lot seemed only have full, the museum was buzzing.  The exhibition divided over four galleries.  Each gallery was dedicated to one artist and the teachers who have influenced him.  It was an interesting lesson in art history, although I must admit I only recognized a few of the more famous American teachers.


This is the picture that made me want to go to see the exhibition, not to mention I thought it would be fun to take a drive to the Berkshires.  However, it was Parrish's Solitude that made the trip all worthwhile.


Solitude is simply amazing - once could stare at it for a long time wondering how it was painted.  While the exhibition said that Parrish is best known for his fantasy illustrations, I thought this landscape was just wonderful.  I will have to learn more about his landscape works.


The website describes the exhibition in the following terms:  "Narrative realism in picturemaking has been a constant—not just through eight hundred years of Western art, but through the entire history of humanity’s creative efforts, from the earliest cave paintings and frescos on the walls of ancient Egyptian tombs to today’s published imagery for print, animation, and gaming. With irrefutable evidence on display, Keepers of the Flame: Parrish, Wyeth, Rockwell and the Narrative Tradition, opening on June 9, will shed light on the unbreakable thread connecting American illustration and legendary artists Maxfield Parrish, N.C. Wyeth, and Norman Rockwell to the roots of European painting through the long line of teachers, who have, through the centuries, passed along the wisdom, knowledge, and techniques of the ages to the next generation of creators.

At the heart of this exhibition are Parrish’s lush fantasies, set in the timeless fairytale landscapes of his imaginings; Wyeth’s exuberant compositions and unforgettable characters, which breathe life into classic literature; and Rockwell’s humanistic portrayals, filled with humor and insights, for the nation’s most popular publications. 
Curated by Dennis Nolan, an award-winning illustrator and professor of art at Hartford Art School, University of Hartford, the exhibition featuring more than 85 works by American and European masters spans five hundred years, tracing the student to teacher lineage of three Golden Age illustrators to their artistic forbearers in the Italian Renaissance. Paintings intended for a broad clientele, whether church or state, private collectors or public entities, transcend their original purpose to through the art of visual storytelling. Narrative paintings inspired by religious, mythological, allegorical, and literary sources, painted with academic precision, accuracy, and beauty, will be on view."


Sunday, July 8, 2018

Frederic Church : A Painter's Pilgrimage



On a beautiful Saturday members of the "Woodlot Lane Painting Colony" met in Hartford at the Wadsworth Atheneum to view the exhibition entitles Frederic Church: A Painter's Pilgrimage.  Originally, I was less the excited because I often feel that the large landscapes done by the Hudson Valley School are too dark with a color palette of very deep green and browns.  However, many of the painting on exhibitions were from Church's visit to the Middle East so there was also bright reflected sun.

Here is how the Atheneum website describes the exhibition:

     "Frederic Church: A Painter’s Pilgrimage is the first exhibition to bring together Church’s highly detailed compositions of sacred terrain in the Middle East and the Mediterranean. A leading painter of 19th-century America and the Hudson River School, Frederic Church (1826–1900) was born in Hartford, Connecticut and had deep ties to the Wadsworth Atheneum, which maintains significant holdings of his early landscapes. The museum’s founder, Daniel Wadsworth, arranged for Church’s apprenticeship with painter Thomas Cole, the father of the Hudson River School.
     From the mid-1850s until the early 1870s, Church was the most popular, most written about, and the most financially successful painter in the United States. A specialist in landscape, he traveled to remote places to sketch majestic scenes unfamiliar to his American audience that he could turn into dramatic, large-scale paintings. Frederic Church: A Painter’s Pilgrimage explores an artist’s journey to the other side of the world—not only to paint historical and biblical sites, but to also discover his faith and broaden his worldview."

Along side the large oil landscapes there were also some very handsome sketches.
I wish this picture cam out better as it is one of my favorites.  I suspect I like it so much because of the colors.

Saturday, June 23, 2018

In the Foot Steps of the Masters


I am going to Paris - May 2018


In the summer of 2017 I decided it was time to treat myself to a retirement/new life trip.  I had been receiving emails from Road Scholar and saw a trip to France that focused on the Impressionist painter.  Half of the trip was based in Paris and other half with be cruising down the Scene of a modest river boat.  It sounded perfect and I made the commitment! Only point of indecision was to go as a single or be assigned a roommate.  In the end to save money, I elected to take a roommate.  This decision hung over my head, especially after I saw a picture of the boat's stateroom in early spring.    I was told, however, that it was too late to change my mind.  When things are meant to be - things have a way of working out.  When my assigned roommate arrived in Paris, she decided that the hotel accommodations were too small for 2 unrelated traveler and being a regular Road Scholar, it was decided that we each should be assigned our own rooms.  Fate was looking over my shoulder as it would have be uncomfortable to share the small room/cabin. The other concern was how was I to get to Boston or New York airport.  Again, problem solved when I asked the travel agent from Road Scholar if I could fly out of Hartford.  Suddenly, I was booked on an Aer Lingus plant flying from Hartford to Dublin and then Dublin to Paris. It had been a long time since I took of a trip like this, so I spend last winter/early spring thinking about what to take and shopping.  Ed and Wilda were very helpful in reminding me it is really best to travel light.  I did travel pretty light and now I know I could have even travel lighter.. lesson for the next trip.

May 19 - Sue an Rob took me to the airport - I was nervous something might happen on the way to the airport, so they agreed to see me on my way.  Aer Lingus check in was no problem and I was on  my way.  Seat with a nice gentlemen with no one sitting between us.  I read and before I was in Dublin.  Dublin has a long low terminal, with a little help from my seat mate, I was the right gat for the trip to Paris.  Arrived, found luggage, met a member of the group and the Road Scholar driver found us.  The adventure began!

The group was booked into Hotel Les Jardins du Marais.  It was a very nice hotel with a very nice open courtyard area.




The best news was that my assigned roommate decide that the room was simply too small for two related persons to share. Road Scholar accepted her request that we each be given our own rooms - at the hotel and on the boat.  Jean was to be my room mate and while we enjoyed each others company on the trip, it was wonderful not to have to share.  Actually Jean took me on a walking tour of the area around our hotel and to the open air market.  It was a wonderful introduction to the neighborhood.

All throughout the afternoon, participants arrived and soon we gathered for orientation.  Most of group was in love with the impressionists and looked forward to seeing where and what they painted. That evening we made a pleasant walk to Chef Jenny's for the first of many wonderful meals.  Next time I travel,  I'll keep a food diary as I had some wonderful food, but I can no longe recall the details.


On Monday, we began our exploration for the French Impressionists we when headed off to Montmartre.  It was already clear that some of the participants would not be able to walk up hill, so we took the tram which was very pleasant.  Once we arrived at the top, we could look down on Paris - what a wonderful sight. 





  

Then we headed off to the Museum of Montmartre.  This museum and gardens was a delight - it recounts the history of Montmartre, recreated Renoir's Garden and offers an video which highlights history of the area as well as the story of artist Suzanne Valadon.




Grandma in Renoir's Garden
Restaurant where we enjoyed 
 I really enjoyed walking around Montmartre, as it provided a hint of what it was like when the Renoir and the other greats lived and painted in this area.

After lunch we headed off to the Louvre.  Certainly the Louvre is magnificent and it was important to stop there.  I, however, the logistic were awkward: it was crowded, several of the participants felt they needed wheel chairs and then for some reason no one explained, the galleries were shut down for a brief period of time.  In the end I saw the Mona Lisa and was glad I went.



On our fourth day, we headed out of Paris for Auvers-sur-Oise to see were Vincent Van Gogh painted and spent his final days.  It was amazing how the bus driver maneuvered through the streets of Paris.  I was interesting to see the country side and I particularly enjoyed the housing styles as we traveled though the smaller towns to arrive at Auvers-sur-Oise. The highlights of our time was Auvers Town Hall, the Notre Dame D'Auvers and the Le Maison de Van Gogh and finally the cemetery where Vincent and later his brother were buried.  We also stood in the field where he probably used to painted in July 1890.

street scene - then and now

the fields above Auvers-sur-Oise

Notre Dame D'Auvers

Formerly the Favoux Inn
Le Maison de Van Gogh





After walking through the town, up to the church and the cemetery and through the fields where Vincent painted, we walking back to a restaurant opposite the Town Hall.  I'll admit it, I was thrilled to see the key landmarks in Vincent Van Gogh's life.  After the standard excellent Road Scholar meal, but got on the bus and headed back to Paris.  As we approached the city, the bus driver reported the hospital workers were on strike, so it would be impossible to get close to our hotel.  When we met up with the demonstration, we got off the bus and walked back to the hotel.  We stopped at the Picasso Museum which is a modest but pleasant museum.







The Musee d'Orsay is simply amazing.  The converted railroad station is handsome on the outside, but absolutely amazing on the inside.  The architect did a wonderful job dividing up the huge space into comfortable, manageable galleries and then there is the art!













Clearly, many of the painting are ones that you recognize, but you can't believe that you are seeing them all in once space.

                                     


Road Scholar once again provided us with a delightful lunch inside the museum.  It gave one a sense of luxury that travelers must have enjoyed.





The history of the museum is very interesting.  Below it is captured from Wikipedia.

          In 1970, permission was granted to demolish the station but Jacques Duhamel, Minister for Cultural Affairs, ruled against plans to build a new hotel in its stead. The station was put on the supplementary list of Historic Monuments and finally listed in 1978. The suggestion to turn the station into a museum came from the Directorate of the Museums of France. The idea was to build a museum that would bridge the gap between the Louvre and the National Museum of Modern Art at the Georges Pompidou Centre. The plan was accepted by Georges Pompidou and a study was commissioned in 1974. In 1978, a competition was organized to design the new museum. ACT Architecture, a team of three young architects (Pierre Colboc, Renaud Bardon and Jean-Paul Philippon), were awarded the contract which involved creating 20,000 square metres (220,000 sq ft) of new floorspace on four floors. The construction work was carried out by Bouygues.[3] In 1981, the Italian architect Gae Aulenti was chosen to design the interior including the internal arrangement, decoration, furniture and fittings of the museum. Finally in July 1986, the museum was ready to receive its exhibits. It took 6 months to install the 2000 or so paintings, 600 sculptures and other works. The museum officially opened in December 1986 by then-president François Mitterrand.




I recall seeing many of Rodin's sculptures on the Sanford Campus, so I wasn't all that excited about going to the Rodin Museum - but once we entered It as clear that it was worth our time.






Of course, I spent some of my time searching pieces by Camille Caludel and was not disappointed.


My experience at the Rodin Museum acted as a reminder that one should keep on looking even at the end of a long day filled with much wonderful art as there is always something more to see.  And so, several of us around the energy to go to the de l'Orangerie.

Claude Monet's Water Lilies




This link provides a visual tour of the water lilies galleries http://www.musee-orangerie.fr/en/article/water-lilies-virtual-visit 




After hearing about the de l'Orangeries and Monet's water lilies, a group of us just had to find a little more energy and take in one more museum.  It certainly was worth the effort even if our tired brains, eyes and feet could only take on the water lilies! But the experience did set the stage for Giverney a few days later.

After another delightful dinner, we boarded our bus and headed out to tour Paris at night.  Unfortunately, it was a rainy evening.  But the rain stopped when we arrived at the Eiffel Tower where I played tourist and had my picture taken when some new French friends.



On morning of Day 6 we boarded our bus and headed out for Normandy.  It was a lovely ride through the French country side.   After several hours we arrived at the white cliffs of Etretat.   The grey clouds didn't really distract, once I buttoned up my jacket. 


This lovely sea side town inspired many french impressionist and me too.
This lovely sea side town inspired many french impressionist and me too.