Showing posts with label Gloucester Harbor. Show all posts
Showing posts with label Gloucester Harbor. Show all posts

Friday, July 18, 2014

Folk Art & Folly - Two Historic Homes and Their Collections




The Florence Griswold Museum is hosting an exhibit of Folk Art from the Fenimore Art Museum.  To compliment this show, the museum sponsored a trip to Cape Ann, Mass to visit two properties managed by Historic New England which is a comprehensive regional heritage organization committed to the preservation and cultural and architectural heritage of New England.

The first property we visited was Cogswell's Grant in Essex, Massachusetts
The Cogswell Grant house displays the American folk art collection of Bertram K. and Nina Fletcher Little which the couple accumulated over sixty years.  

         The Littles purchased the 165 acres Cogswell Grant farm in 1937 and carefully restored it as a home and a place to display their large collection of antiques and folk art.  The pieces in the collection continue to be displayed as the family lived with them.  Admittedly, early American furniture has never been one of my favorite art forms; however, I found myself fascinated by the many portraits that hung around the house.  For some reason these works seemed more interesting, more dynamic than those hanging in museum galleries.




I was also fascinating by the many small artifacts displayed as they would have appeared when the house was lived in.

                                                   

There are a number of paintings on the walls that were interesting because of their theme or technique.  While it added to the mood of the building to see this art hanging as a owners decided to place it; it was also frustrating because it was often difficult to get close to the art because there was an understandable prohibition against walking of the antique rugs.





It has been difficult to share pictures which can provide the full flavor of the breath and depth of the Little's collection of folk art.  Taking the Photographic tour of the Cogswell's Grant house might provide the reader with a sense of this unique historical and artistic site.



Beauport - Architectural curiosity overlooking Glouster Harbor

Henry Davis Sleeper
Beauport, the Sleeper-McCann House, Glouster, Massachusetts is also a property managed by Historic New England.

This unusual house was the summer home of Henry Davis Sleeper, America's first professional interior designer.  It served Mr. Sleeper as a place to meet with clients and as a comfortable place to entertain his wide circle of well-known guests.  It also served as a venue to display Mr. Sleeper's collection of art, curiosities, colored glass, china, and historical artifacts.  Each of the 40 rooms has a unique theme based on some aspect of his collection.  The Charles McCann family purchased the house after Mr. Sleeper's death and kept it, for the most part, as it was in Sleeper's time.







An absolute favorite room on mine is the book tower - every home should have such a wonderful space!


There were also wonderful spaces that overlook the harbor.

The gardens provide wonderful spaces to relax.





Sunday, June 15, 2014

Visiting Amherst College and The Mead Art Museum



The Mead Museum houses the art collection of Amherst College and was named for its founder, William Rutherford Mead who graduated from Amherst in 1867 and went on to become a partner in the architectural firm of McKim, Mead and White. While modest in size, it offers the visitor to Amherst College a wonderful opportunity to enjoy many interesting works of art and unique special exhibits.  During my mid-June visit with my wonderful sister Sally, the featured exhibit was entitled:


While portraits have not been a favorite genre, it was certainly interesting to learn the story behind several well crafted and moving portraits of popular American icons.  I found the Lindbergh portraits by Robert Brackman to be particularly compelling and certainly a study in contrast - the confident pioneer aviator and the wounded mother.

Charles A. Lindbergh, 1938
Oil on canvas
Robert Brackman

Anne Morrow Lindbergh, 1938
oil on canvas
Robert Brackman

Also on display at the Mead were a number of new acquisitions.


With over 18,000 pieces designed to support teaching and research, this fine college collection offers each person something to respect, to puzzle over and to love.

The digital copy below cannot do justice to Williard LeRoy Metcalf's Gloucester Harbor, 1895.  It  absolutely delights the imagination as one travels around the small gallery looking back at it while trying to figure out  how it is possible that a painting can look different but wonderful from every angle.

Gloucester Harbor, 1895
oil on canvas
Williard LeRoy Metcalf

Almost directly opposite the Metcalf is Clover Field, 1939-40 by Rockwell Kent.  While they share a space, they represent entirely different artistic tone and technique while offering equal pleasure to the eye.  I particularly enjoy the Kent piece. His art encompasses an incredible range of styles and techniques but this picture makes the suggestion that one should try to reproducing this Vermont scene.  Finding a work that inspires you to paint a theme or try a given technique is an excellent reason to visit a museum like the Mead.

Clover Fields, 1938-40
oil in canvas
Rockwell Kent

Before leaving Amherst's museum one simply must visit  the extraordinary Salone Dancer, 1909 by Robert Henri.  This is such a wonderful painting - it is no wonder that the Mead displays it on the banner announcing the location of the museum.  This portrait certainly fuels the imagination to conjure stories about the model behind this portrait.
 
Life is so good!
 
Salome Dance,1909
oil on canvas
Robert Henri